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LYNNE HULLEnvironmental Sculpture/Trans-species Art
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ENVIRONMENTAL SITEWORKS |
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2000-8 | In Progress: “3 Artistas” Tri-national Collaboration with artists from Colombia & Mexico |
2002-6 |
Completed: “East Drake Pondworks” public art project, Ft. Collins, CO |
2001-7 | “Procession of the River Species”, Fort Collins, Colorado (annual) |
2000-4 | “East Drake Pondworks”, Fort Collins, CO public art project “Corridors,” Research on wildlife movement patterns across landscape “Trans-Species Exchanges,” Les Arques, France “The Mystery, the Evidence, and the Small Atonements,” Quebec, Canada “Ecoventions,” Cincinnati, Ohio “Procession of the River Species,” Fort Collins, Colorado “Texas Text,” Lubbock, Texas |
2000-1 | “Durango Nature Studies,” Durango Nature Center, Colorado |
1996-7 |
“Kingsher’s Companions” Toledo, Ohio Botanical Garden |
1995 | “The Exiled Oxbow”, Native prairie reintroduction and memorial to the loss of wetlands, Salina, Kansas, with the Salina Commission for the Arts and Humanities and the Land Institute “Jackson Hole Bike Path” Sculptures and habitat enhancement created with eighth-grade students of Jackson, Wyoming |
1994 | “Nature Trail Enhancement,” A.F.E.W. Giraffe Centre, Nairobi, Kenya “S.O.S. for Songbirds” and “Purple Emperor,” Bedales School, Peterseld, England “Twig Island,” “Reservoir Tree,” “Teaching a Kestrel Box to Fly,” and other waterfowl and bat habitat sculptures, Carsington Reservoir, Derbyshire, England |
1993 | “Stones for the Salmon,” “Key to Colin Glen,” and “Otter’s Secret,” Colin Glen Forest, West Belfast,Northern Ireland Untitled Interpretive Piece, U.S. Forest Service, Missoula, Montana “Predator’s Gate” and “Batlog,” Dallas, Texas “Missoula Beaver Trade” & “Winter Buttery,” Missoula, Montana “The Uglies Lovely,” Lexington, New York |
1992 | “Riverworks 1,” Williamstown, Massachusetts “Scotts Bottom Sculptures,” Green River, Wyoming “Flowing Water Moon Hydroglyph,” Utah Canyonlands “Otter Haven Experiment,” Boulder, Wyoming “Winter Den,” Yellowstone National Park “Predator Acceptance Gesture,” series, temporary locations |
1991 | “Grizedale Tarn Project, Grizedale Forest Sculpture Park, Cumbria, England “Pine Bluffs Project,” Pine Bluffs, Wyoming “The Bird Garden at Navajo Mountain,” Utah “Marten Havens,” Sierra Madre Mountains, Wyoming |
1990 | “Lightning,” Raptor Roosts, Interstate 80, Wyoming “Wind,” Raptor Roost, Shirley Basin, Wyoming “Badger Basin Raptor Roost,” Cody, Wyoming |
1989 | “Marten Havens,” Medicine Bow National Forest, Wyoming “Island for Waterfowl,” Temporary installation |
1988 | “Raptor Roosts L-1 & L-2,” Albany County, Wyoming |
1995-8 | "Hydroglyphs", Wyoming and Utah |
EXHIBITIONS |
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2007 | ”Weather Report, art and climate change”, Boulder, Colorado |
2005 | Arte y Sobrevivencia:”, Medellin, Colombia |
2002 | “Ecoventions,” Group exhibit, Cincinnati, Ohio |
2001 | “Corridors and Connections,” FC-MOCA, Fort Collins, Colorado |
2000 | “Project Documentation” for “Our Planet, Ourselves,” St. Louis Artist Guild, Missouri |
1999 | “TransSpecies 1,” Gallery Route 1, Point Reyes Station, California “Trans Species 2,” Petaluma College, Petaluma, California |
1998 | “Deja Vu,” Artists Reuse Refuse,” Arvada Center for the Arts, Colorado |
1997 | “Art for Environmental Advocacy,” University of Oregon, Eugene “Nature and Environment,” Springeld Art Association, IL—one woman exhibit |
1996 | “Art About the Environment,” Center for Art and Earth, New York, New York |
1994 | “The Lure of the Local,” University of Colorado Art Galleries, Boulder, Curated by Lucy Lippard “Art as if the World Matters,” Dahl Fine Arts Center, Rapid City, South Dakota “Effect or Infect,” Soho 20 Gallery, A.R.E.A. New York, New York “A Natural Dialogue,” International Sculpture Center touring New York; Washington, D.C.; etc. |
1993 | “Open Forum,” Tickon International Symposium, Langeland, Denmark |
1992 | “Artists Who Interpret the Earth,” University of the Arts, Philadelphia |
1991 | “Dialogue and Expression—Eight from Wyoming,” Toured 6 states |
1990 | “Of Nature and Nation,” Security Pacic Gallery, Los Angeles “Environmental Impact Statements,” Missoula Museum of Art, Missoula, Montana “For the Birds,” Charles A. Westum Museum, Racine, Wisconsin Three-Person Show, Bridge Street Gallery, Bigfork, Montana “Post-Westerns,” Yellowstone Art Center, Billings, Montana |
1989 | “50 Years & Counting Art & Issues of the ‘80’s,” University of Wyoming Art Museum, Laramie “Arthunt,” Ucross Foundation Gallery, Ucross, Wyoming “Artwest,” LCCC Gallery, Cheyenne, Wyoming “Rawhide Sculpture,” Rawhide Festival, Lusk, Wyoming “Highway 16, Notes on Nowhere,” Emmanuel Gallery, Denver, Colorado |
1988 | “Contemporary Art in the Cowboy State,” Nicolaysen Museum, Casper, Wyoming “Skin and Bones,” Ruddell Gallery, Spearsh, South Dakota “3rd Wyoming Biennial,” Touring 10 states “Under A Foot,” Galleria Mesa, Mesa, Arizona |
1987 | “Highway 16, Notes on Nowhere,” Collaboration coordinator, Toured 3 states “Fur, Feathers, and Scales,” Bellevue Museum, Bellevue, Washington “2nd Artwest Open,” Jackson, Wyoming and touring “Wyoming Traditions, Contemporary View,” Sheridan, Wyoming “Ucross Residents Exhibition,” Denver, Colorado “5th Annual Arts Center Exhibition,” Riverton, Wyoming |
1986 | “19th Joslyn Biennial,” Omaha, Nebraska |
(Please request details of exhibitions, activities and grants before 1986.) |
COLLECTIONS |
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Arvada Center for the Arts, Arvada, Colorado Nicolaysen Museum, Casper, Wyoming Wyoming State Museum, Cheyenne, Wyoming Collection of Western Wyoming Community College |
AWARDS, GRANTS, AND RESIDENCIES |
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2007 | National Artist of the year award, Arts and Healing Network |
2005 | Visiting Artist, Centro Colombo Americano, Medellin, Colombia |
2004 | Individual artist fellowship, Arts Alive, Fort Collins, Colorado |
2002-3 | Artist Residencies: Ateliers Les Arques, France; Boreal Art Nature, Quebec, Canada |
2000-1 | Artist Fellowship: Colorado Arts Council |
1999-2000 | Project Grant: Nancy H. Gray Foundation for Art in the Environment |
1997-8 | U.S. Mexico Fund For Culture, funding for work in Southern Mexico Small grant: Nancy H. Gray Foundation for Art in the Environment Speaker: Colorado Convention of Stormwater Utility and Flood Management Professionals; Arts Dialog; Colorado Council on the Arts; Women’s Caucus for the Arts. |
1996 | Artist Residencies: Nature Heals Writers Conference; Toledo Botanical Garden, Ohio; University of Illinois at Springeld, Illinois; Audubon Society; Lincoln Memorial Gardens Artist Consultant: Art and Ecology e-mail/internet project with Getty ArtsEd Net andOhio State University Speaker: Environmental Reuse and Redirection Panel, International Sculpture Conference Presenter, Panelist & Organizer: Interactive arts sessions, National Association for Interpretation National Workshop Speaker & Workshop Leader: “Art and Ecology,” a Getty Foundation National Colloquium,Ohio State University Visiting Artist Lectures: Colorado State University Art, Landscape Architecture and Natural Resources/Recreation Departments Fellowship: Innovation in the Arts, Denver Mayor’s Ofce of Art, Culture, and Film |
1995 | Artist in Residencies: Smoky Hills River Festival; Lakewood Park, Salina, Kansas; Jackson Hole Middle School, Wyoming Visiting Artist: U.C. Pueblo, Colorado |
1993-4 | Fulbright Fellowship: Artist to the United Kingdom Lila Wallace/Reader’s Digest Foundation/Arts International Residency to Kenya with Related Project in Missoula, Montana |
1993 | Visiting Artist: University of Colorado at Colorado Springs, Colorado Artist Residencies: Missoula Museum of the Arts, Montana; Connemara Conservancy, Dallas, Texas; Art Awareness, Lexington, New York |
1992 | Artist Residence: Yellowstone National Park Visiting Artist: Williams College, Williamstown, Massachusetts Individual Artist Grant: Wyoming Arts Council |
1991 | Artist Residence: Grizedale Forest, Cumbria, England; Permanent sculpture for the forest |
1990 | Design Collaboration Grant: National Endowment for the Arts (Wyoming Game & Fish Biologists & Landscape Architects) New Forms: Regional Initiatives, Colorado Dance Festival, Regrant from NEA, Rockefeller Foundation and Apache Corporation |
1989 | Individual Artist Fellowship: Wyoming Arts Council |
1986 | Artist Residencies: The Ucross Foundation, Ucross, Wyoming, January-February; The Horsethief Foundation, Moab, Utah |
PUBLICATIONS |
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Catalogs | ||
WEATHER REPORT: ARTISTS ADDRESS CLIMATE CHANGE, Boulder Museum of Contemporary Art 2007 “Lynne Hull,” Residencies Ateliers d’Artistes les Arques, 2003 “The Natural Order,” Intro by Lucy Lippard, Landmark Arts, Texas Tech University, Lubbock, Texas |
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Book Inclusions | ||
ECOVENTION: CURRENT ART TO TRANSFORM ECOLOGIES, Sue Spaid, Green Museum, The Contemporary Art Center, and Ecoartspace, 2002 PROVIDING POSITIVE WILDLIFE VIEWING EXPERIENCES, Deborah Richie Oberbillig, Colorado Division of Wildlife Press, March 2000 CONTEMPORARY ISSUES IN ART EDUCATION, Ed. Gaudelus & Spears, essay By Karen Keifer Boyd, Prentice Hall, 2001 NATURE STYLE, Marthe Le Ban, Lark Books, 2002 ON THE BEATEN PATH, Lucy Lippard, The New Press, 1999 LURE OF THE LOCAL, Lucy Lippard, The New Press, 1997 SCULPTING WITH THE ENVIRONMENT, edited by Baile Oakes, Van Nostrand Reinhold, 1995 THE REENCHANTMENT OF ART, Suzi Gablik, Thames & Hudson, 1991 |
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Reviews | ||
“Ecoatonement,” DURANGO HERALD, Colorado, April 23, 1998 |
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Articles | ||
ETHICS AND THE ENVIRONMENT, Spring 2003 |
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Authored articles | ||
Reprint of “Beyond Illustration: Contemporary Artists Interpret the Environment, ”MOVEMENT," Newsletter of the Ofce of the Environment for Taiwan, Taipei, Taiwan “Beyond Illustration: Sculpture Trails and Parks as Environmental and Historic Interpretation,” LEGACY Magazine: National Journal of the National Association of Interpretion, January-February 1996 “Beyond Illustration: Contemporary Artists Interpret the Environment,” LEGACY Magazine, September-October 1995 “Grizedale Forest Sculpture Park,” SCULPTURE Magazine (Maquette), May 1993 |
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Exhibition Catalogs | ||
THE NATURAL ORDER, Intro by Lucy Lippard, Landmark Arts, Texas Tech University, Lubbock “Dreaming Missoula,” Collaboration and Common Ground on Two Continents, Missoula, Montana Museum of the Arts “Of Nature and Nation, Yellowstone Summer of Fire,” Katya Williamson, 1990 “Dialogue and Expression Eight from Wyoming,” Frank Gettings, 1991 “Environmental Impact Statements,” Deborah Mitchel, 1990 “For the Birds: Artists Examine Aviary Abodes,” Caren Heft, 1990 “Post Westerns,” Gordon McConnell, 1990 “Third Wyoming Biennial,” Lamar Harrington, 1988 “First Wyoming Biennial,” Dore Ashton, 1984 |
PROFESSIONAL ACTIVITIES |
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2008 | Presentations on environmental art, Cartagena and Manizales, Colombia. |
2007 | Speaker, Green Infrastructure Forum, National Park Service, Washington, DC |
2002-04 |
Speaker: Michigan State Art Educators |
2000-1 |
Presenter: Society for Ecological Restoration, Liverpool, England, College Art Association, |
1999-2000 |
Juror: "Our Planet, Our Selves", St. Louis, Missouri |
1998-2000 |
National Conference presenter: "Watchable Wildlife", The Bioneers, Society for Ecological Restoration, Art-Culture-Nature |
1999-2001 |
Public Lectures on Environmental Art: New College, Sarasota, Florida; Carnegie Mellon University; |
1997 |
Presenter: Womens Caucus for the Arts National Conference, Philadelphia, Pennsylvania |
1996 |
Presenter: Panelist, and Organizer of Interactive Arts Sessions, National Association of Interpreters
National Workshop, Fall |
1995 |
Lecturer/presenter: The Land Institute, Regional and National Conference/Workshops of the National
Association of Interpreters; Fourth Annual National Conference on Watchable Wildlife |
1994 |
Lecturer: Environmental Art, Universities of Portsmouth, Brighton, Nottingham Trent; Manchester
Metropolitan, England, the Cheshire Landscape Trust; U.S. Embassy Cultural Affairs programs, Nairobi, Kenya |
1993 |
Panelist: National Women’s Caucus for the Arts, Seattle, Washington |
1991 |
Panelist: National Women’s Caucus for Art, Washington, D.C. |
1989 |
Open Forum Slide Talk: International Symposium on Sculpture and Landscape Architecture,
Manchester, England |
1988 |
Spring Travel in England, Scotland, Wales and Europe, researching Neolithic art and Contemporary place-based art, interviewing artists |
1985-90 |
Slide Lectures: “Earthworks: A Tour of our Regional Art Treasures,” “Contemporary and Neolithic Land Art in Great Britain and Europe,” “The Personal Evolution of an Artist,” various times and locations, partly sponsored by the Wyoming Council for the Humanities “Speaker’s Bureau” |
1989-91 |
Arts-in-Education Resident Artist: Sheridan, Wyoming, September 1989: Moab, Utah, November 1990; |
1983-87 |
Studio sculpture, mixed media assemblage |
1970-85 |
Clay Raku and Low-re saltware, stoneware and porcelain - regional expressionist and functional ceramics |
EXHIBITIONS BEFORE 1986 |
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1985 |
“Automotive Engineering Sculpture Competition,” Oakland Festival and Western Railway Museum,
Sacramento, CA |
1984 |
“Animals, Real and Imaginary,” Nicolaysen Museum, Casper, Wyoming |
1983 |
“Desert Alterations,” Installation and other claywork, Los Llanos Gallery, Santa Fe, New Mexico |
1982 |
“What’s New In Clay,” Houston, Texas |
1981 | “Images of the American West,” Putney Gallery, Aspen, Colorado |
1980 | “Wyoming Crafts Invitational,” Nicolaysen Museum, Casper, Wyoming |
1979 | “Womanfetish” series, Women’s Art Show, University of Wyoming |
1977-78 | One-woman clay shows, Laramie, Wyoming |
1975-77 | Laramie Craft Guild, Juried and touring shows |
SELECTED AWARDS AND GRANTS BEFORE 1985 |
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1979 | Fellowship award, Wyoming Council on the Arts |
1979-84 | Juror’s awards from Paul Marioni, Roger Lang, Sally Elliott, Jean Williams-Cacicedo, etc. |