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LYNNE HULL

Environmental Sculpture/Trans-species Art
Place-based Studio Sculpture

 

 

  • Website: www.eco-art.org
  • e-mail :
  • Address : P.O. Box 1239, Fort Collins, Colorado 80522
  • Telephone : [+1] 970-416-1881
 

ENVIRONMENTAL SITEWORKS

2000-8

In Progress: “3 Artistas” Tri-national  Collaboration with artists from Colombia & Mexico
 “Migration Mileposts”, a project linking communities which share migratory birds along the flyways of the hemisphere
Proposals:    “The Bird Barge,” Floating wildlife sanctuary proposal, “Defense Appropriation”, proposal to convert historic military installations at the Marin headlands to wildlife habitat. Headlands Art Center

2002-6

Completed: “East Drake Pondworks” public art project, Ft. Collins, CO
Small projects in Achiote, Panama and Titumate & Medellin, Colombia
 “Ecovention” outdoor and studio works for exhibit, Cincinnati, Ohio
“The Mystery, the Evidence and the Small Atonements”, Boreal Art/Nature, Quebec, Canada
 “Trans-species Exchanges at Les Arques”, Les Arques, France

2001-7 “Procession of the River Species”, Fort Collins, Colorado (annual)
2000-4 “East Drake Pondworks”, Fort Collins, CO public art project
 “Corridors,” Research on wildlife movement patterns across landscape
 “Trans-Species Exchanges,” Les Arques, France
“The Mystery, the Evidence, and the Small Atonements,” Quebec, Canada
“Ecoventions,” Cincinnati, Ohio
“Procession of the River Species,” Fort Collins, Colorado 
“Texas Text,” Lubbock, Texas
2000-1

“Durango Nature Studies,” Durango Nature Center, Colorado
“Driftwood Sculpture,” Oregon Zoo, Portland, Oregon
“Biodiversity Life Rafts,” Mountain Lake, Virginia; Sarasota, Florida
1998               
“The Creatures of Habitat, The Outpost Oasis, and the Anticipated Migration,”
and “Riparian Reconstruct,” InSitu, Kansas City, Missouri, August 1998
“Duck Island,” Arvada Center for the Arts, Colorado
“Framed” Raptor Roost, Private Commission, Colorado
“Punta Laguna” and “Huitapec” sites of “Projectos Yucatecos,” Mexico

1996-7

“Kingsher’s Companions” Toledo, Ohio Botanical Garden
“Gooseower, Duckpod, Dragonyway,
Bat Belfry, Buglog,” Public arts commission, City of Fort Collins,Colorado
“Guanella Pass Interpretive Sculptures,” Project funded by a partnership between the NationalEndowment for the Arts and the USDA Forest Service (postponed)
“Nancy’s Garden,” Private commission
“Projectos Yucatecos,” Work on bio-reserves in southern Mexico with ProNatura Peninsula de Yucatan and ProNatura Chiapas

1995 “The Exiled Oxbow”, Native prairie reintroduction and memorial to the loss of wetlands, Salina, Kansas, with the Salina Commission for the Arts and Humanities and the Land Institute
“Jackson Hole Bike Path” Sculptures and habitat enhancement created with eighth-grade students of Jackson, Wyoming
1994 “Nature Trail Enhancement,” A.F.E.W. Giraffe Centre, Nairobi, Kenya
“S.O.S. for Songbirds” and “Purple Emperor,” Bedales School, Peterseld, England
“Twig Island,” “Reservoir Tree,” “Teaching a Kestrel Box to Fly,” and other waterfowl and bat habitat sculptures, Carsington Reservoir, Derbyshire, England
1993 “Stones for the Salmon,” “Key to Colin Glen,” and “Otter’s Secret,” Colin Glen Forest, West Belfast,Northern Ireland
Untitled Interpretive Piece, U.S. Forest Service, Missoula, Montana
“Predator’s Gate” and “Batlog,” Dallas, Texas
“Missoula Beaver Trade” & “Winter Buttery,” Missoula, Montana
“The Uglies Lovely,” Lexington, New York
1992  “Riverworks 1,” Williamstown, Massachusetts
“Scotts Bottom Sculptures,” Green River, Wyoming
“Flowing Water Moon Hydroglyph,” Utah Canyonlands
 “Otter Haven Experiment,” Boulder, Wyoming
“Winter Den,” Yellowstone National Park
“Predator Acceptance Gesture,” series, temporary locations
1991 “Grizedale Tarn Project, Grizedale Forest Sculpture Park, Cumbria, England
“Pine Bluffs Project,” Pine Bluffs, Wyoming
“The Bird Garden at Navajo Mountain,” Utah
“Marten Havens,” Sierra Madre Mountains, Wyoming
1990 “Lightning,” Raptor Roosts, Interstate 80, Wyoming
“Wind,” Raptor Roost, Shirley Basin, Wyoming
“Badger Basin Raptor Roost,” Cody, Wyoming

1989 “Marten Havens,” Medicine Bow National Forest, Wyoming
“Island for Waterfowl,” Temporary installation
1988 “Raptor Roosts L-1 & L-2,” Albany County, Wyoming
1995-8 "Hydroglyphs", Wyoming and Utah

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EXHIBITIONS

2007

”Weather Report, art and climate change”, Boulder, Colorado

2005 Arte y Sobrevivencia:”, Medellin, Colombia
2002 “Ecoventions,” Group exhibit, Cincinnati, Ohio
2001 “Corridors and Connections,” FC-MOCA, Fort Collins, Colorado
2000

“Project Documentation” for “Our Planet, Ourselves,” St. Louis Artist Guild, Missouri
“The Natural Order,” Landmark Arts, Lubbock, Texas

1999  “TransSpecies 1,” Gallery Route 1, Point Reyes Station, California
“Trans Species 2,” Petaluma College, Petaluma, California
1998

“Deja Vu,” Artists Reuse Refuse,” Arvada Center for the Arts, Colorado
“Trans Species,” Durango Center for the Arts, Colorado—one woman exhibit

1997 “Art for Environmental Advocacy,” University of Oregon, Eugene
“Nature and Environment,” Springeld Art Association, IL—one woman exhibit
1996

“Art About the Environment,” Center for Art and Earth, New York, New York
“Trans-species,” Adams State College, Alamosa, Colorado—one woman exhibit
“County Exchange Project,” collaboration, Larimer County, Colorado
“Prairie Dog Experience,” Denver Performing Arts Festival, October

1994 “The Lure of the Local,” University of Colorado Art Galleries, Boulder, Curated by Lucy Lippard
“Art as if the World Matters,” Dahl Fine Arts Center, Rapid City, South Dakota
“Effect or Infect,” Soho 20 Gallery, A.R.E.A. New York, New York
“A Natural Dialogue,” International Sculpture Center touring New York; Washington, D.C.; etc.
1993

“Open Forum,” Tickon International Symposium, Langeland, Denmark
Annual Environmental Exhibit, Missoula Museum of the Arts, Montana
“Natural Dialogue,” California Crafts Museum, San Francisco
“Connemara—The Artist Working with Nature,” Plano, Texas

1992

“Artists Who Interpret the Earth,” University of the Arts, Philadelphia
“Lynne Hull--Wildlife Habitat Sculpture,” Madison Museum, Yellowstone National Park - one woman exhibit
“A.I.E. Traveling Exhibit,” Utah Arts Council, touring Utah
“Silver Anniversary Invitational,” West Nebraska Arts Center, Scottsbluff

1991 “Dialogue and Expression—Eight from Wyoming,” Toured 6 states
1990 “Of Nature and Nation,” Security Pacic Gallery, Los Angeles
“Environmental Impact Statements,” Missoula Museum of Art, Missoula, Montana
“For the Birds,” Charles A. Westum Museum, Racine, Wisconsin
Three-Person Show, Bridge Street Gallery, Bigfork, Montana
“Post-Westerns,” Yellowstone Art Center, Billings, Montana
1989 “50 Years & Counting Art & Issues of the ‘80’s,” University of Wyoming Art Museum, Laramie
“Arthunt,” Ucross Foundation Gallery, Ucross, Wyoming
“Artwest,” LCCC Gallery, Cheyenne, Wyoming
“Rawhide Sculpture,” Rawhide Festival, Lusk, Wyoming
“Highway 16, Notes on Nowhere,” Emmanuel Gallery, Denver, Colorado
1988 “Contemporary Art in the Cowboy State,” Nicolaysen Museum, Casper, Wyoming
“Skin and Bones,” Ruddell Gallery, Spearsh, South Dakota
“3rd Wyoming Biennial,” Touring 10 states
“Under A Foot,” Galleria Mesa, Mesa, Arizona
1987 “Highway 16, Notes on Nowhere,” Collaboration coordinator, Toured 3 states
“Fur, Feathers, and Scales,” Bellevue Museum, Bellevue, Washington
“2nd Artwest Open,” Jackson, Wyoming and touring
“Wyoming Traditions, Contemporary View,” Sheridan, Wyoming
“Ucross Residents Exhibition,” Denver, Colorado
“5th Annual Arts Center Exhibition,” Riverton, Wyoming
1986

“19th Joslyn Biennial,” Omaha, Nebraska
“2nd Wyoming Biennial,” Touring Wyoming and region
“Wyoming Art of the Cowboy State,” Touring
“Artwest Open,” Jackson Hole, Wyoming
“Lynne Hull,” Sena Galleries East, Santa Fe, New Mexico

(Please request details of exhibitions, activities and grants before 1986.)

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COLLECTIONS

  Arvada Center for the Arts, Arvada, Colorado
Nicolaysen Museum, Casper, Wyoming
Wyoming State Museum, Cheyenne, Wyoming
Collection of Western Wyoming Community College

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AWARDS, GRANTS, AND RESIDENCIES

2007 National Artist of the year award, Arts and Healing Network
2005 Visiting Artist, Centro Colombo Americano, Medellin, Colombia
2004 Individual artist fellowship, Arts Alive, Fort Collins, Colorado
2002-3 Artist Residencies: Ateliers Les Arques, France; Boreal Art Nature, Quebec, Canada
2000-1

Artist Fellowship: Colorado Arts Council
Artist Residencies: Tryon Art Center, Charlotte, North Carolina; Headlands Art Center, Marin Headlands, California

1999-2000

Project Grant: Nancy H. Gray Foundation for Art in the Environment
Artist Residence: Mountain Lake Workshop and Virginia Tech University
Visiting Artist: Texas Tech University, Lubbock; New College, Sarasota FL; Carnegie Mellon University

1997-8 U.S. Mexico Fund For Culture, funding for work in Southern Mexico
Small grant: Nancy H. Gray Foundation for Art in the Environment
Speaker: Colorado Convention of Stormwater Utility and Flood Management Professionals; Arts Dialog; Colorado Council on the Arts; Women’s Caucus for the Arts.
1996 Artist Residencies: Nature Heals Writers Conference; Toledo Botanical Garden, Ohio; University of Illinois at Springeld, Illinois; Audubon Society; Lincoln Memorial Gardens
Artist Consultant: Art and Ecology e-mail/internet project with Getty ArtsEd Net andOhio State University
Speaker: Environmental Reuse and Redirection Panel, International Sculpture Conference
Presenter, Panelist & Organizer: Interactive arts sessions, National Association for Interpretation National Workshop
Speaker & Workshop Leader: “Art and Ecology,” a Getty Foundation National Colloquium,Ohio State University
Visiting Artist Lectures: Colorado State University Art, Landscape Architecture and Natural Resources/Recreation Departments
Fellowship: Innovation in the Arts, Denver Mayor’s Ofce of Art, Culture, and Film
1995 Artist in Residencies: Smoky Hills River Festival; Lakewood Park, Salina, Kansas; Jackson Hole Middle School, Wyoming
Visiting Artist: U.C. Pueblo, Colorado
1993-4 Fulbright Fellowship: Artist to the United Kingdom
Lila Wallace/Reader’s Digest Foundation/Arts International Residency to Kenya with Related Project in Missoula, Montana
1993 Visiting Artist: University of Colorado at Colorado Springs, Colorado
Artist Residencies: Missoula Museum of the Arts, Montana; Connemara Conservancy, Dallas, Texas; Art Awareness, Lexington, New York
1992 Artist Residence: Yellowstone National Park
Visiting Artist: Williams College, Williamstown, Massachusetts
Individual Artist Grant: Wyoming Arts Council
1991

Artist Residence: Grizedale Forest, Cumbria, England; Permanent sculpture for the forest
Individual Artist Project Grant: Wyoming Arts Council

1990 Design Collaboration Grant: National Endowment for the Arts (Wyoming Game & Fish Biologists & Landscape Architects)
New Forms: Regional Initiatives, Colorado Dance Festival, Regrant from NEA, Rockefeller Foundation and Apache Corporation
1989

Individual Artist Fellowship: Wyoming Arts Council
Individual Artist Project Grant: Wyoming Arts Council

1986 Artist Residencies: The Ucross Foundation, Ucross, Wyoming, January-February; The Horsethief Foundation, Moab, Utah

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PUBLICATIONS

Catalogs
  WEATHER REPORT: ARTISTS ADDRESS CLIMATE CHANGE, Boulder Museum of Contemporary Art 2007
“Lynne Hull,” Residencies Ateliers d’Artistes les Arques, 2003
“The Natural Order,” Intro by Lucy Lippard, Landmark Arts, Texas Tech University, Lubbock, Texas
 
Book Inclusions
  ECOVENTION: CURRENT ART TO TRANSFORM ECOLOGIES, Sue Spaid, Green Museum,
The Contemporary Art Center, and Ecoartspace, 2002
PROVIDING POSITIVE WILDLIFE VIEWING EXPERIENCES, Deborah Richie Oberbillig, Colorado
Division of Wildlife Press, March 2000
CONTEMPORARY ISSUES IN ART EDUCATION, Ed. Gaudelus & Spears, essay By Karen Keifer Boyd, Prentice Hall, 2001
NATURE STYLE, Marthe Le Ban, Lark Books, 2002
ON THE BEATEN PATH, Lucy Lippard, The New Press, 1999
LURE OF THE LOCAL, Lucy Lippard, The New Press, 1997
SCULPTING WITH THE ENVIRONMENT, edited by Baile Oakes, Van Nostrand Reinhold, 1995
THE REENCHANTMENT OF ART, Suzi Gablik, Thames & Hudson, 1991
 
Reviews
 

“Ecoatonement,” DURANGO HERALD, Colorado, April 23, 1998
ART VOICES, March-April 1981
THE ASPEN TIMES, December 10, 1981
THE ALBUQUERQUE JOURNAL, October 1983
“In-Situ,” KANSAS CITY STAR, October 11, 1998

 
Articles
 

ETHICS AND THE ENVIRONMENT, Spring 2003
LANDSCAPE AND ART, Summer 2003
SIERRA, November–December 2000
“Garden Varieties,” SAN FRANCISCO BAY GUARDIAN, October 27, 1999
“In Situ,” KANSAS CITY STAR, October 11, 1998
“Eco-Art,” WHOLE EARTH, Summer 2000
“Women Outside,” Fall 1999
“Public Art Review,” Issue 20, Spring–Summer 1999
“Earthlight,” Fall 1999
“The Bear Deluxe,” #14, Summer–Fall 1999
“Garden Varieties,” SAN FRANCISCO BAY GUARDIAN, October 27, 1999
”Reserva Ecologica Moxviquil,” PRONATURA, #2, 1998
“Hull Unveils Art,” THE HERALD, Sarasota, Florida, November 23, 1999
“Artist’s Work Serves Animal Kingdom,” THE PRESS DEMOCRAT, Santa Rosa, California, April 25, 1999
“The Prairie Reader,” Winter 1998
“Ecoartist Strives to Give Back to Nature,” THE COLORADOAN, September 21, 1998
“Lynne Hull,,” INTERMOUNTAIN WOMAN, Missoula, Montana, July 1998
“Lynne Hull,” WOODWORK Magazine, August 1998
“Art Education” Theme issue on art and ecology, November 1997
FRONTIERS Journal of Women’s Studies, Issue on Ecofeminism, Summer 1997
“Values of Nature for Artists...,” NATURE AND THE HUMAN SPIRIT, Venture Publishing, State College, Pennsylvania
“The Art of Restoration,” Jill Brown, SANCTUARY, Massachusetts Audubon Society, January–February 1997
“Aerial Perspectives,” Robert Lamb, ARTISTS NEWSLETTER, England, November 1996
“The Art of Building Wildlife Habitat,” BEST FRIENDS MAGAZINE, September 1996
“Lynne Hull, Trans-species Art,” ECOPSYCHOLOGY NEWSLETTER, Fall 1996
“Sculpting the Land,” John Beardsley, SCULPTURE, April 1996
“Methodology of the Marvelous,” Gloria Orenstien, MATRIART, January 1996
“Interstate Habitat,” Michael Leccese, LANDSCAPE ARCHITECTURE, June 1995
“Earthwise Artist for the Animals—Lynne Hull,” Catharine Walkinshaw, CHILDREN’S DIGEST, July/August 1995
“Earth Art,” Tom Hacker, JACKSON HOLE GUIDE, October 11, 1995
“Birds,” David Reason, ART AND DESIGN: Issue on Art and the Natural Environment, May-June 1994
NAIROBI NATION, Nairobi, Kenya, March 20, 1994
THE DAILY TELEGRAPH, London, England, July 14, 1994
RAPID CITY JOURNAL, South Dakota, April 10 & 24, 1994
“The Art of Collaboration,” MISSOULA INDEPENDENT, July 16, 1993
“Lynne Hull,” HIGH PERFORMANCE, Summer 1993
“Tickon International Symposium,” SCULPTOR’S SOCIETY OF IRELAND Newsletter, October- November 1993
“Perspectives: Environmental Art,” WILDLIFE ART NEWS, March/April 1993
“Nature’s Helper a Sculptor Who Builds Habitat,” HIGH COUNTRY NEWS, June 28, 1993
“Making Art as if the World Mattered,” Suzi Gablik, MICHIGAN QUARTERLY REVIEW, Spring 1993
“The Art of Collaboration,” MISSOULA INDEPENDENT, July 16, 1993
“Sculptor Creates Habitats for Animals,” JACKSON HOLE NEWS, July 28, 1993
“Elle,” ECOWATCH, November 1992
“Art Journal,” Summer 1992
“Artscene” Newsletter, Summer 1992
“Times Literary Supplement,” July 3, 1992 (photo only)
“International Friends of Transformative Art” Newsletter, Fall 1991
“The Ecological Art Explosion,” ARTNEWS, Summer 1991
“Voices from the Regions,” POSITIONS Quarterly, Fall 1989
“Lynne Hull,” ARTSPACE, May-June 1989
“Lynne Hull,” ARTVOICES, September-October 1981
Miscellaneous newspaper articles in DENVER POST, ROCKY MOUNTAIN NEWS, JACKSON HOLE NEWS, KANSAS CITY STAR, ILLINOIS TIMES, TOLEDO BLADE, LARAMIE DAILY BOOMERANG, Fort Collins NOW, & COLORADOAN

 
Authored articles
  Reprint of “Beyond Illustration: Contemporary Artists Interpret the Environment,
”MOVEMENT," Newsletter of the Ofce of the Environment for Taiwan, Taipei, Taiwan
“Beyond Illustration: Sculpture Trails and Parks as Environmental and Historic Interpretation,” LEGACY Magazine: National Journal of the National Association of Interpretion, January-February 1996
“Beyond Illustration: Contemporary Artists Interpret the Environment,” LEGACY Magazine, September-October 1995
“Grizedale Forest Sculpture Park,” SCULPTURE Magazine (Maquette), May 1993
 
Exhibition Catalogs
  THE NATURAL ORDER, Intro by Lucy Lippard, Landmark Arts, Texas Tech University, Lubbock
“Dreaming Missoula,” Collaboration and Common Ground on Two Continents, Missoula, Montana Museum of the Arts
“Of Nature and Nation, Yellowstone Summer of Fire,” Katya Williamson, 1990
“Dialogue and Expression Eight from Wyoming,” Frank Gettings, 1991
“Environmental Impact Statements,” Deborah Mitchel, 1990
“For the Birds: Artists Examine Aviary Abodes,” Caren Heft, 1990
“Post Westerns,” Gordon McConnell, 1990
“Third Wyoming Biennial,” Lamar Harrington, 1988
“First Wyoming Biennial,” Dore Ashton, 1984

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PROFESSIONAL ACTIVITIES

2008

Presentations on environmental art, Cartagena and Manizales, Colombia.
 Taught 1 week seminar on eco-art, Schumacher College, England    

2007 Speaker, Green Infrastructure Forum, National Park Service, Washington, DC
2002-04

Speaker: Michigan State Art Educators
Presenter: Grantmakers in the Arts

2000-1

Presenter: Society for Ecological Restoration, Liverpool, England, College Art Association,
Chicago & Texas Art Education Association, LubbockArtist
Residencies: Tryon Art Center, Charlotte, North Carolina; Headlands Art Center, Marin Headlands

1999-2000

Juror: "Our Planet, Our Selves", St. Louis, Missouri

1998-2000

National Conference presenter: "Watchable Wildlife", The Bioneers, Society for Ecological Restoration, Art-Culture-Nature

1999-2001

Public Lectures on Environmental Art: New College, Sarasota, Florida; Carnegie Mellon University;
Gulf Coast Museum of Art, St. Petersburg, Florida, Texas Tech University; Petaluma College;
Laney College; JFK University; Montana State University, Billings
Juror: Our Planet, Ourselves Exhibit, St. Louis, Missouri

1997

Presenter: Womens Caucus for the Arts National Conference, Philadelphia, Pennsylvania

1996

Presenter: Panelist, and Organizer of Interactive Arts Sessions, National Association of Interpreters National Workshop, Fall
Presenter: International Sculpture Conference, Provincetown, Rhode Island, June
Speaker and Workshop Leader: “Art and Ecology,” Getty Foundation National Colloquium, Ohio State University, June
Visiting Artist: “Nature Heals” Writers Conference, Taos, New Mexico
Visiting Artist Lectures: Colorado State University Art, Landscape Architecture, and Natural Resources Departments

1995

Lecturer/presenter: The Land Institute, Regional and National Conference/Workshops of the National Association of Interpreters; Fourth Annual National Conference on Watchable Wildlife
Design Consultant/Team Member: “Liquid Mix” Hudson River Interpretive Artwork Design Symposium with Pam McCormick (funded by Lila Wallace/Reader’s Digest/Arts International); Rocky
Mountain Arsenal Design Charette, with University of Colorado Environmental Design Students of
David Kahn, Boulder, Colorado; Sand Creek Masterplan Design Team, Bill Wenk and Associates, Landscape Architects, Denver, Colorado
Juror: Landscape Architecture magazine’s “Visionary Landscape” competition

1994

Lecturer: Environmental Art, Universities of Portsmouth, Brighton, Nottingham Trent; Manchester Metropolitan, England, the Cheshire Landscape Trust; U.S. Embassy Cultural Affairs programs, Nairobi, Kenya
Presenter: “Art as Environmental Interpretation” at International Seminar on Environmental Interpretation and Rural Tourism, Pamplona, Spain

1993

Panelist: National Women’s Caucus for the Arts, Seattle, Washington
Lecturer: Environmental Art, Missoula, Montana; Arts Council Gallery, Belfast, Northern Ireland; and Paa Yaa Paa Arts Centre, Nairobi, Kenya

1991

Panelist: National Women’s Caucus for Art, Washington, D.C.
Presenter: “Artists as Environmental Activists,” Conference on Rocky Mountain Arsenal, Denver, Colorado
Lecturer: Environmental Art: University of Ulster, Belfast, Northern Ireland; Canterbury College of Art, Canterbury, England
Speaker’s Bureau Lecture: “The Art and Poetry of Walking,” around Wyoming

1989

Open Forum Slide Talk: International Symposium on Sculpture and Landscape Architecture, Manchester, England
Speaker’s Bureau Lecture: “6000 Years, Nine Countries: Art and History on the Land”

1988

Spring Travel in England, Scotland, Wales and Europe, researching Neolithic art and Contemporary place-based art, interviewing artists

1985-90

Slide Lectures: “Earthworks: A Tour of our Regional Art Treasures,” “Contemporary and Neolithic Land Art in Great Britain and Europe,” “The Personal Evolution of an Artist,” various times and locations, partly sponsored by the Wyoming Council for the Humanities “Speaker’s Bureau”

1989-91

Arts-in-Education Resident Artist: Sheridan, Wyoming, September 1989: Moab, Utah, November 1990;
Navajo Mountain BIA Boarding School, Utah, November 1991
Artist-in-Schools Roster: Wyoming and South Dakota
Artist in Residence in Environmental Art: Laramie County Community College Peak Program, Cheyenne, Wyoming August, 1989;
LCCC ceramics instructor, Summer 1989;
Northwest College, Powell, Wyoming, Spring 1990

1983-87

Studio sculpture, mixed media assemblage

1970-85

Clay Raku and Low-re saltware, stoneware and porcelain - regional expressionist and functional ceramics

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EXHIBITIONS BEFORE 1986

1985

“Automotive Engineering Sculpture Competition,” Oakland Festival and Western Railway Museum, Sacramento, CA
“Art against Apartheid,” Heller Gallery, Berkeley, California
“1st Wyoming Biennial,” Juror, Dore Ashton
“Lynne Hull New Sculpture,” Brown Gallery, Laramie

1984

“Animals, Real and Imaginary,” Nicolaysen Museum, Casper, Wyoming
“Desert Alterations,” Installation, Wyoming State Museum

1983

“Desert Alterations,” Installation and other claywork, Los Llanos Gallery, Santa Fe, New Mexico
“Southwest Art,” Art Focus Gallery, Charleston, West Virginia
“All Wyoming Crafts Exhibition,” Nicolaysen Museum, Casper, Wyoming

1982

 “What’s New In Clay,” Houston, Texas
Two-person show, Sheridan Inn Gallery, Sheridan, Wyoming

1981

“Images of the American West,” Putney Gallery, Aspen, Colorado
“High Plains Regional,” Greeley, Colorado
Wyoming State Museum, Cheyenne, Wyoming, One-woman show

1980

“Wyoming Crafts Invitational,” Nicolaysen Museum, Casper, Wyoming
“Dreams,” Gallery 234, Laramie, Wyoming
“Wyoming Impressions in Clay,” Toured Wyoming and at Scottsbluff Center for Art, Nebraska
One-woman show

1979

“Womanfetish” series, Women’s Art Show, University of Wyoming
“Wyoming Craftsmen ‘79,” Touring Wyoming

1977-78 One-woman clay shows, Laramie, Wyoming
1975-77 Laramie Craft Guild, Juried and touring shows

 

SELECTED AWARDS AND GRANTS BEFORE 1985

1979

Fellowship award, Wyoming Council on the Arts

1979-84 Juror’s awards from Paul Marioni, Roger Lang, Sally Elliott, Jean Williams-Cacicedo, etc.

 

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